When writing Ion Pulse Phasing Cloak Device, I was inspired by Steve Reich - Piano Phase. I decided to create Bass Phase or so, when several bass guitars will play the same melody at different speed. In my case I recorded melody at four different speeds, not two as in Piano Phase.
One important thing is that as in all previous recordings, all the bass guitars are live. I did not use processing to make guitar play faster or slower. This is why phasing sounds realistic. Also I did not use any delays, only reverberation.
In this tragic music there is no place for popular music beauty. It shows the real picture of the lost city with its hopelessness and weird consequences of fast leaving the city. The city is full of the past and reminiscence. Library: True Pianos.
This atmosphere was inspired by the Pripyat city.
This composition is about Moscow, about its poor design and big money.
The city is burning down and not much is left. Library: TruePianos.
Imagine you are under the city, several meters under the ground. Library: TruePianos.
My brother says it is about some polish city, not eastern one :)
City is comfortable and diverse. City gives us bread and circuses. But City does it in a very intence manner, so that we cannot help going nervous and crazy.
When I started this song, I decided to make it more technical. I play more difficult slap here, than in most of previous songs. In the guitar part I created Highway Star-like lick.
In the song I mix three parts: slappy, chaosy and minimalistic. In the middle slap and minimalism meet together.
I started White Spirit experimenting with some serial mutation. Then I chose another series. Then I decided to make some polyphony. At last I thought: Well, I can really mix it here.
I ended up with a phylosophical thoughtful composition...
Sibelius Sound Essentials.